Friday, 20 May 2011

Theme 1: Reportage - Green Park, London

Statement of Intent:
My aim was to utilise the opportunity of being in London, having a spare hour before attending a meeting and being presented with an opportunity of having what felt like half of London moving past you. From my early research on photographers involved in Street Photography and Reportage, several images took my interest. These were:
  • Thomas Sullivan - Images of a wide range of sport; often portrayed in full colour but capturing the feeling of the moment.
  • Ian Tindale - Reportage images of individuals or small groups and real-time events; capturing the moment and the mood of the event.
  • Danny Santos - In particular his work on "The Street is a Catwalk" theme where his photographs caught individuals, often women, looking like they were on the Red Carpet. Many of his images have been adjusted using a variety of methods to emphasis the focus on the women.
  • Martin Parr - Images that capture the unusual. Some of his photographs were aimed at portraying the event through only capturing part of the event eg. a couples arms interlocked.
  • Patrick Lichfield - Photograph of Jacqueline Bissett leaning against a wall providing a contrast of texture.
My aim was to capitalise on the moment and capture a number of photographs of individuals, couples or small groups making the most of a warm and sunny lunch period away from the office and in the fresh air.

Health and Safety:
I positioned myself by some low railings at the side of one of the entrances to Green Park. Some of the people noticed me taking photographs but simply continued about their business. Health and safety turned out to be a minor matter but my initial concern was whether someone would challenge what I was doing. This did not happen.
My photographs are divided into the two themes that duplicate the work of the three photographers noted above.

Record of Image Capture:
My objectives and range of images were captured in my notebook along with the camera settings.

Image of notes recorded at Green Park.

Running Activity:
The opportunity of capturing images of people jogging during their lunch break allowed me to mimic the sporting photographs of Thomas Sullivan. His objective to "capture the emotions of the present as they happen" provides the opportunity to portray the feeling of energy, tiredness and determination. An example of one of the sporting images found during my research is below to use in comparison.
Thomas Sullivan sporting image
 Thomas Sullivan's image captures the flow of the runners, the movement of each runner and the energy being expended. My photographs taken in Green Park, London also captures this movement and energy as well the effort being expended by the runner.                                                   
Having the line of bollards provides a sense of distance with those in the foreground being out of focus, progressing through focus in line with the predominant subject and then returning to a blurring of the background.



The next four photographs concentrate on the actual runners to capture the determination, the effort being expended and the tiredness. The single male runner captures all of these factors and again the line of bollards along the grass edge allows for the distance perspective through the use of a restricted focal distance.

The sequence of three images of a pair of ladies running together captures the movement of the individuals. They are exercising but also conducting a conversation depicting the friendly relationship between the two.

Runners slightly out of focus to depict distance.

Runners in focus capturing the motion.
Background blurred to accentuate distance.

Close up of runners to capture determination  and the conversation.


"The Street is a Catwalk":
The images below by Danny Santos and Ian Tindale are examples of the Reportage photographs that I am striving towards. Danny Santos's photograph below has been adjusted to exaggerate the focus on the lady. The subject is central within the image, the background has been blurred and the side edges have been darkened thereby making the central portion appear as though additional lighting has been used.

Danny Santos - "The Street is a Catwalk"
The example taken from Ian Tindale captures a group of young people squatting on a pavement area talking. The photograph is in black and white and captures the mood of the intimate conversation.

Ian Tindale - Black & White Image
Ian Tindale - Queuing Image
Martin Parr - Interlocked arms.
Patrick Lichfield - Jacqueline Bissett


My photographs below were taken over a lunch period at the entrance to Green Park in London. The weather was warm and sunny and people were making the most of getting out into the park for lunch. My photographs attempt to capture the images of both Ian Tindale and Danny Santos; although my focus was very much on the individual which is more in line with those images of Danny Santos. His theme of "The Street is a Catwalk" was very much alive. Having high light levels allowed the use of high shutter speeds (between 1/250 and 1/400 with ISO 100) thereby allowing the subjects and the moment to be captured.
Many of the images have been rejected as they were either slightly out of focus or did not capture the moment. The camera was hand-held to enable rapid movement and manual focus was used to provide the means for specific focus on individuals. Some of the subjects were aware of my camera being pointed in their direction but nothing was said. This did however ensure the capture of individuals looking straight at the camera. The images capture the flow of people through the park, couples talking, individuals making phone calls or grabbing lunch on the move or simply waiting for friends.
Focusing on the fashion aspects, a couple of my photographs captured the clothing and in particular what is being worn on the legs and feet. The dress code of the individual has been captured in these photographs; by looking at the clothing and footwear you have a picture of the individual.

These photographs capture the moment!

My image of the crowd
(Reference Ian Tindale's queuing image)
Blurred foreground and background emphasising distance

"Old Navy 94" - Brother and Sister

Couple in conversation
Blurred background to emphasis focus on the couple

Enjoying the experience!
Colour image
B&W image reference Ian Tindale's young group squatting

"The Street is a Catwalk"
Movement, focused and fashion
"The Street is a Catwalk"
Couple in conversation

"Sharing the joke."
Laughter captured; pair framed by the background.

"Something has captured his attention."
Lady in foreground is blurred to emphasis the focus on the man.
"Catching up on the reading."
Focus is reversed; crisp foreground and blurred background.
"The Street is a Catwalk." - Mamma Alta
"The Street is a Catwalk." - Mamma Alta
Focus this time is on the lady behind.
Photograph contrasts differing fashion and colour.

"The Street is a Catwalk" - Close-up to capture the moment.
Image is framed by the actual cropping by the camera.
Colour suits the image providing life and energy.
"The Street is a Catwalk" - Close-up to capture the fashion .
Blurred foreground to emphasis the bright colour of the fashion.
Background is blurred and dark again emphasising the individual.

"The Street is a Catwalk" - Coffee on the move.

The following two photographs are a variance of the theme "The Street is a Catwalk"; looking at legs and fashion. From these photographs you can create an image of the individual. 

"The Street is a Catwalk" - Fashion Jeans
(Reference to the images of Martin Parr)

"The Street is a Catwalk"
Fashionable footwear depicts the subject.
(Reference to the images of Martin Parr)

There were options to capture images of executives at lunch either catching up on the mobile or grabbing a quick sandwich whilst on the move.

A slave to the mobile.
Captured against a brick wall to provide an opposing surface.
Well groomed clothing v's a regimented wall that has seen better days.
(Reference to Lichfield's image of Jacqueline Bissett)

Lunch on the move.
Smart fashionable dress code of an executive with a pack of sandwiches in hand.
Background blurred to emphasis 

Lunch on the move.
Close up of executive.
Short focal distance blurring the background to emphasis the image.
People in the background provides an alternative image.

An alternative option was provided by people waiting for friends or partners. The following photographs portray the "waiting".

"Anticipation"
On tip toe looking for her friend; drinks in hand.
Large focal distance to capture a crisp image throughout.
Subject is in the distance emphasised by the other people passing.
"Anticipation" (2).
Close up of subject peering for her friend.
Large focal distance to capture the depth of the imaGE.



These images capture a young lady waiting for a message on her mobile. Leaning against a lamp post in line with a series of bollards provided an opportunity to use a reduced focal distance to emphasis the scenario. The intense light and shadow also provided a complex foreground that adds atmosphere.

By zooming in on the subject a different image is produced. Positioning myself low and in line with the tops of the bollards offered a different perspective and draws the line of sight onto the subject. The background is out of focus intentionally to keep attention on the subject.





Review:
My objective was to capture the atmosphere of individuals, couples and groups in a variety of situations as portrayed in researched photographs by Thomas Sullivan, Ian Tindale, Danny Santos, Martin Parr and Patrick Lichfield. Their images captured real time situations in a way that provided the on-looker with a sense of atmosphere. In the space of an hour I was able to use the range of events unfolding around me as "Londoner's" capitalised on a warm sunny lunch period. I was able to capture a similar range of images as those found during my research.

Thursday, 19 May 2011

Theme 1: Reportage - Additional Photographs


Statement of Intent:
Various photographs have been collected at different times capturing specific moments. My intent was to use various techniques, predominantly camera but some simple adjustments using PhotoShop, to capture the moment and try to replicate some of the images found during my researching of photographers.
The photographs below are the actual images taken and have only been modified using PhotoShop were documented in the text.

Health and Safety:
There was no implication of health and safety whilst taking the images at Eastham Ferry. In the case of Klondyke Mill the dominant safety criteria to take account of was the traction engines moving around the site. Beside the standard awareness of vehicular movement around the site, the only other safety aspect to be aware of was trip hazards whilst you were close by some of the stationary equipment. Whilst in the workshop area, visitors had restricted access to areas where machinery was moving. The large steam-driven engines that provided power to the site was fully fenced off preventing any form of access and therefore had no hazard.

Equipment used:
In both cases I chose my 40-150mm lens to provide me with a greater range of distance. The camera was hand-held to allow flexibility. By combining both factors I was able to gather images that offered close detail without influencing the feeling of the moment. This was especially the case at Eastham Ferry when photographing the elderly couple.

 Eastham Ferry, Wirral:
Eastham Ferry is located on the Wirral in Cheshire and is the historical site of a ferry crossing to Liverpool. The area has been altered to provide a country park on the banks of the River Mersey.
The day was warm and sunny where members of public of differing ages were enjoying the opportunity spending some time relaxing and socialising.
An elderly couple caught my eye as they walked down to the river edge to view the scenery. Walking hand in hand they portrayed an image of closeness and fondness that had been created over many years. Several shots were gained during their walk away from me towards the river but it was the interlocked hands as they returned that really caught my attention. Martin Parr had taken close up photographs of situations to portray the moment; one of these was of an elderly couples' arms interlocked. The images below of the couples hands were aimed to mimic Parr's photograph.
The light was intense enabling the use of ISO 250 and shutter speeds of around 1/250. Due to the high light levels a range of "F" settings could be used (F5.6 to F16) to deliver a range of images. In the case of the couple I used a high "F" setting in order to capture the detail of the subjects as well as the foreground and background.



"Enduring Love"
Hand in hand (Reference Martin Parr)
Image captures the mid-torso of the couple only
Hands are silhouetted against the dark trousers
"Enduring Love"
Hand in hand (Reference Martin Parr)
Image cropped and adjusted using PhotoShop Levels

Martin Parr's image below was the inspiration for my photographs.
Martin Parr's Image of interlinked arms


NS&CTEC, Klondyke Mill, Draycott in the Clay:
North Staffs and Cheshire Traction Engine Club is sited on the outskirts of Draycott in the Clay in Staffordshire. Periodically the site is opened to the public and it was one of these days, 6th June 2011, that these images were taken. My objective was to collect images of people interfacing with these massive steam-driven engines.

"Steam's up."
Engine releasing steam as it travels around the site.
The experience of controlling a traction engine.
A member of public drives the engine.

"Young enthusiasm"
A young boy runs alongside the traction engine.
"Young enthusiasm" (2)
Original image has been cropped to focus on the young runner.

"Young enthusiasm" (3)
Cropped image has been turned into B&W to reflect the age
of the stream traction engines.

Several photographs were taken in the workshop were the light levels were low. The original photographs were taken to produce dark images as the aim was to maintain relatively high shutter speeds. The images were then lightened using PhotoShop were the tone range was altered in "Levels". This has produced images where the detail can been viewed but the dark environment of the workshop is maintained.

Youth looks on as the men discuss traction engines.
Two enthusiasts discuss the details.
I was interested in the mix of young and old enthusiasts. The group of youngsters below caught my interest. They are discussing their own topic whilst in the background is a middle-aged couple watching another aspect of the event. By cropping the original in PhotoShop this young to older balance is emphasised.

"Enthusiasts: Young and Old"
Original image
Cropped image emphasising the scene
There were a number of individuals visiting the event to take their own photographs. One of my photographs attempted to capture a man taking his own photographs of one of the engines. My settings were incorrect producing a very dark image. By using the "Levels" setting in PhotoShop I have managed to turn my original dark image into a useful image that shows the event. The settings in "Levels" are captured below.
Original Image.
Screen shot shows the Levels settings .
Altered Image.
Screen shot shows the altered Levels settings.











Final image.
Enthusiast photographing an engine.


Wedding Photography:
The majority of wedding photographs are the official images of the happy couple or groups. Many photographs are usually taken by guests where the layout, composition, patterns and perspective do not play much part. My aim at a recent wedding was to shadow the official photographer and gather a number of more candid and unofficial images to reflect the sentiments of the day. The weather was showery and fortunately remained bright and dry for the official photographs after the ceremony.
I wanted the freedom of movement to capture the more unusual shots and so used my 40-150mm lens and hand-held the camera. This combination allowed me to move around the periphery of the groups with the option to zoom in for close-up images whilst allowing me the option to compose the shot.

Ruth and Father arriving in the Rolls-Royce.
Shot produced a  crisp but dark image which was
later lightened using "Levels" in PhotoShop.

"Is Ruth coming?"
Close up of the bridesmaid; Image
silhouetted by the darkness of the doorway. 
Bridesmaid framed by the church door;
silhouetted against the dark interior.





























Chauffeur silhouetted through the rain covered windows.
Chauffeur checking the procedures.
How cool is the chauffeur?


.... and after the ceremony came the photographs!




.. and some just look on in wonder!

A young member of the family takes a sneak
look at the married couple.
.... and even the official photographer gets in the mood.



The Happy Couple.
Ruth and William.
Review:
My objective for all the above events was to gather reportage-type photographs capturing the atmosphere of the day. Each event was different requiring a varied approach to capture the images to portray the nature of the day. From the initial research that I undertook there were two aspects in particular that grabbed my attention, namely:

  • Martin Parr's theme of focusing on the "detail" in order to represent the image. The close-up of interlocked arms is the focus of the photograph. My photograph of the couples interlocked hands portrays a sense of enduring love and tenderness and is equal to Parr's image. In the case of Ruth and William's wedding, the scale of the images was not as detailed but there was the need for a range of distance shots as well as groups.
  • Several of the photographers that I researched portrayed a street, a bridge, a car in order to capture the moment. The example below compares Terence Donovan's Pirelli images to one of my images taken at Klondyke Mill. Donovan's mini has been staged using a model in the driver's seat. The traction engine is in it's own environment being driven by enthusiasts. My image is not bright and shiny but captures the moment as does Donovan's mini.

With all these events there was the need to find the position so that I could take the photographs. I needed to be mobile; one eye looking for the composition whilst ensuring my safety; and in the case of the wedding making sure I did not get in the way of the official photographer.
    Terence Donovan
    Pirelli Calendar Mini
    Paul Baker
    Klondyke Mill Traction Engine